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      <image:caption>An Evolutionary Timeline of the Earth: This work tells the story of time, Earth’s evolution, and dust. It’s a story of origins, a search for the interconnectedness of all things that are here now, and a way to envision how it all happened: how the planet went from nothing to something, how the rocks and dust of that something turned into living organisms, and us. It’s about marking time– about following the smallest specks of rock and wisps of dust in the sky– to trace them, and find some sense in their passage. This drawing follows a geological time scale that depicts the expanses of time from the beginning of the Earth to the present. From Earth’s formation around 4.54 billion years ago (by accretion from the solar nebula), when much of the Earth was molten, to the giant impact collision with a planet-sized body named Theia that is thought to have formed the Moon, to its subsequent eras of evolution: The Hadean eon that represents the time before a reliable (fossil) record of life; it began with the formation of the planet and ended 4.0 billion years ago. The following Archean and Proterozoic eons produced the beginnings of life on Earth and its earliest evolution. The succeeding eon is the Phanerozoic, divided into three eras: the Palaeozoic, an era of arthropods, fishes, and the first life on land; the Mesozoic, which spanned the rise, reign, and climactic extinction of the non-avian dinosaurs; and the Cenozoic, which saw the rise of mammals. Recognizable humans emerged at most 2 million years ago–a vanishingly small period on the geological scale. Here, I’m interested in the paradoxes of time: how it is perceived as a vast expanse, but also as a blink-of-the-eye; about the precision, entropy, and disorder that comes along with it, but also of the harmonies that emerge when chaos and order are juxtaposed into one ultra-condensed image of our distant past.</image:caption>
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      <image:caption>Engraved drawing on glass</image:caption>
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      <image:title>The Unlikely Possibility of Disappearing</image:title>
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      <image:title>The Unlikely Possibility of Disappearing</image:title>
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  <url>
    <loc>http://margaretinga.com/epochs-eons-eras</loc>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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      <image:title>2023 // Epochs, Eons, &amp; Eras</image:title>
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  <url>
    <loc>http://margaretinga.com/time-recession</loc>
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    <lastmod>2026-03-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773413156364-0EP6FLPZEUDAAHCPZ0YI/Margaret-Inga_Urias_TimeRecession_BAUGallery_VanishingHour2025.jpg</image:loc>
      <image:title>2025  // Time Recession - BAU Gallery Installation</image:title>
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      <image:title>2025  // Time Recession - BAU Gallery Installation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773412435611-4XFG0SNG9W5YQ5DTLGB9/Margaret-Inga_Urias_BAUGallery_VanishingHour2025_GlassBlocks_ReturnToMe_Ghosts-of-CatastropheNo.02_A-History-of-Everything-That-Ever-Existed_web-crop.jpg</image:loc>
      <image:title>2025  // Time Recession - Return To Me, Ghosts of Catastrophe: No.02 (A History of Everything That Ever Existed)</image:title>
      <image:caption>A complete cosmological timeline engraved on scientific refraction glass: engraved in abstracted form showing accurate distances between Inflation, big bang, microwave background radiation, first stars, formation of galaxies, to our present moment and beyond, to the expansion of our universe and its future.</image:caption>
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      <image:title>2025  // Time Recession - Return To Me, Ghosts of Catastrophe: No.02 (A History of Everything That Ever Existed)</image:title>
      <image:caption>A complete cosmological timeline engraved on scientific refraction glass: engraved in abstracted form showing accurate distances between Inflation, big bang, microwave background radiation, first stars, formation of galaxies, to our present moment and beyond, to the expansion of our universe and its future.</image:caption>
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      <image:title>2025  // Time Recession</image:title>
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  <url>
    <loc>http://margaretinga.com/2025-vanishing-hour</loc>
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    <lastmod>2026-03-13</lastmod>
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      <image:title>2025 // Vanishing Hour - Engravings on Found Glass: The Shape of Life Through Deep Time; Cladograms, Trees of Life, Phylogenetic Trees, Evolutionary Maps</image:title>
      <image:caption>Glass wall installation at BAU Gallery: The Shape of Life Through Deep Time; Cladograms, Trees of Life, Phylogenetic Trees, Evolutionary Maps</image:caption>
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    <image:image>
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      <image:title>2025 // Vanishing Hour - Engravings on Found Glass: The Shape of Life Through Deep Time; Cladograms, Trees of Life, Phylogenetic Trees, Evolutionary Maps</image:title>
      <image:caption>Glass wall installation at BAU Gallery: The Shape of Life Through Deep Time; Cladograms, Trees of Life, Phylogenetic Trees, Evolutionary Maps</image:caption>
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      <image:title>2025 // Vanishing Hour</image:title>
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      <image:title>2025 // Vanishing Hour</image:title>
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  <url>
    <loc>http://margaretinga.com/202425-vanishing-hour</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-03-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773424382082-OFEUCQQO87D4MYA6RHB6/Margaret-Inga_Urias_GlassEngraving_Teardrop_IMG_0507_sm2.jpg</image:loc>
      <image:title>2024-25 // Vanishing Hour</image:title>
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      <image:title>2024-25 // Vanishing Hour</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773424394590-95H5Q3QSRL4AWEPHS0HZ/Margaret-Inga_Urias_Engraved-Glass_TheHoursWeTriedtoKeep_BAU-Gallery.jpg</image:loc>
      <image:title>2024-25 // Vanishing Hour</image:title>
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      <image:title>2024-25 // Vanishing Hour</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773424446853-VZ044KRACW718NLL8Y15/Margaret-Inga_Urias_Engraved-Glass_found-weight_BAU-Gallery_IMG_0404_sm.jpg</image:loc>
      <image:title>2024-25 // Vanishing Hour</image:title>
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      <image:title>2024-25 // Vanishing Hour</image:title>
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  <url>
    <loc>http://margaretinga.com/2024-</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773425312749-6C1OJTIZZJTGIDMHUI8G/Margaret-Inga-Urias_Engraved-Glass_SomethingDeeplyHidden_2-Panel_+28.5x13.9_Install.jpg</image:loc>
      <image:title>2024 // Something Deeply Hidden</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773425312749-6C1OJTIZZJTGIDMHUI8G/Margaret-Inga-Urias_Engraved-Glass_SomethingDeeplyHidden_2-Panel_+28.5x13.9_Install.jpg</image:loc>
      <image:title>2024 // Something Deeply Hidden</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773425577946-061I6CQ1EX8LOVMS5XER/Glass_SomethingDeeplyHidden_Diptych_detail-01_MG_6065+copy.jpg</image:loc>
      <image:title>2024 // Something Deeply Hidden - Engraving on Glass: Something Deeply Hidden</image:title>
      <image:caption>Something Deeply Hidden, 2-Panel Engraving on Glass: The title references Einstein’s phrase “something deeply hidden,” which refers to the idea that there are fundamental, often invisible, forces or principles governing the universe that are not immediately apparent from surface-level observations. This engraving, like the phrase, acknowledges the limits of current knowledge—while attempting to chart what is known, what is preserved, and what may remain forever beyond reach. This engraved glass timeline visualizes the history of the universe—beginning with the speculative “before” that precedes measurable time, and unfolding through the Big Bang, cosmic expansion, and the emergence of structure in the known universe. The far left of the panel marks the unknowable: conditions prior to space-time, represented through densely rendered visual fields that suggest compression, instability, and the threshold of physical law. Spanning approximately 13.8 billion years, the timeline traces major cosmological transitions—stellar formation, planetary development, and the evolution of life on Earth—before narrowing toward a thin band representing the present. Rather than extending far into the future, the piece stops just beyond the current moment, acknowledging the limits of what can be projected. A small “you are here” marker, modeled after those used in maps, locates human presence within the vast arc of deep time. Embedded within this structure are references to the Voyager Golden Record, the message sent aboard NASA’s Voyager spacecraft in 1977 to communicate the existence of intelligent life on Earth. The diagrams engraved into the record—showing hydrogen atom transitions, the location of our solar system relative to pulsars, and a schematic of the spacecraft—were designed to be universally legible to an unknown observer. These elements are included here not only as historical data but as a meta-visual system: a map within a map. Their inclusion mirrors the intent of the original—a gesture toward orientation, identification, and the hope of being understood—and within this work, they serve to plot the brief appearance of human culture within a much longer, largely unmapped continuum.</image:caption>
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      <image:title>2024 // Something Deeply Hidden</image:title>
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    <image:image>
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      <image:title>2024 // Something Deeply Hidden</image:title>
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    <image:image>
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      <image:title>2024 // Something Deeply Hidden</image:title>
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  </url>
  <url>
    <loc>http://margaretinga.com/vanishing-hour</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773538247008-0HBBNSBHEGYG2YMJPQVO/Drawing_VanishingHour_IMG_0430_90degrs+copy.jpg</image:loc>
      <image:title>2025 //  Vanishing Hour - Ink on Paper: Vanishing Hour</image:title>
      <image:caption>This work began with an interest in the first clouds but quickly shifted toward a deeper investigation of Earth’s earliest atmosphere. The resulting timeline—later translated into a drawing—traces the evolution of atmospheric conditions from the primordial Earth to the present, structured around the formation of Earth's surface and the layering of deep geological time. The piece focuses on the Hadean and Archean eons, where volcanic outgassing and constant bombardment helped shape a toxic, oxygen-poor atmosphere. These early clouds, composed of water vapor, carbon dioxide, methane, and sulfur gases, were the first visible signs of Earth’s evolving surface chemistry. The timeline is structured with scientifically accurate divisions—eras, eons, and key transitions in Earth’s geologic and atmospheric history—embedded into a visual language of directional bands, markers, and interruptions, layered over a photographic image of a volcanic landscape. The visual fragmentation mirrors the scientific fragmentation of knowledge in this domain: much of the early atmosphere remains speculative, pieced together from isotopic evidence and mineral records. The drawing incorporates that sense of partial understanding, aligning known transitions with visual distortions, patterns, and ruptures. This work ultimately contemplates both origin and disappearance. The timeline concludes not with a contemporary moment, but with a conceptual endpoint: The Vanishing Hour—a future beyond human presence, when Earth’s visible record begins to dissolve, like a cloud dispersing into air.</image:caption>
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      <image:title>2025 //  Vanishing Hour</image:title>
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    <image:image>
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      <image:title>2025 //  Vanishing Hour</image:title>
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  </url>
  <url>
    <loc>http://margaretinga.com/another-time-penrose-geometries-to-elsewhere</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773538820692-6U5ZQQBBBCJZAEE3A2H7/Margaret-Inga_Urias_Another-Time-Penrose-Geometries-to-Elsewhere.jpg</image:loc>
      <image:title>2025 // Another Time, Penrose Geometries to Elsewhere - Ink on Paper: Another Time, Penrose Geometries to Elsewhere</image:title>
      <image:caption>This drawing brings together three visual languages of infinity: the Penrose diagram of a rotating black hole, a Penrose aperiodic tiling, and a radiating diamond pattern. Each represents a distinct way of mapping the ungraspable—time, space, and order without repetition. The Penrose diagram collapses the vastness of spacetime into a single, elegant geometry, revealing how black holes might connect distant universes and bend the flow of time itself. The aperiodic tiling, built from just two repeating shapes, creates a field of infinite variation without symmetry or repetition—an ordered infinity. The diamond motif extends outward without end, a symbolic echo of expansion and recurrence. Layered together, these systems form a meditation on structure and boundlessness—a visual model of how the universe might organize itself across scales, from the cosmic to the conceptual. The composition suggests that even the most abstract mathematics, physical laws, and human patterns of perception may share a common geometry: one that folds, repeats, and connects across dimensions, revealing harmony within the infinite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773538820692-6U5ZQQBBBCJZAEE3A2H7/Margaret-Inga_Urias_Another-Time-Penrose-Geometries-to-Elsewhere.jpg</image:loc>
      <image:title>2025 // Another Time, Penrose Geometries to Elsewhere - Ink on Paper: Another Time, Penrose Geometries to Elsewhere</image:title>
      <image:caption>This drawing brings together three visual languages of infinity: the Penrose diagram of a rotating black hole, a Penrose aperiodic tiling, and a radiating diamond pattern. Each represents a distinct way of mapping the ungraspable—time, space, and order without repetition. The Penrose diagram collapses the vastness of spacetime into a single, elegant geometry, revealing how black holes might connect distant universes and bend the flow of time itself. The aperiodic tiling, built from just two repeating shapes, creates a field of infinite variation without symmetry or repetition—an ordered infinity. The diamond motif extends outward without end, a symbolic echo of expansion and recurrence. Layered together, these systems form a meditation on structure and boundlessness—a visual model of how the universe might organize itself across scales, from the cosmic to the conceptual. The composition suggests that even the most abstract mathematics, physical laws, and human patterns of perception may share a common geometry: one that folds, repeats, and connects across dimensions, revealing harmony within the infinite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773538998031-5H32WMKRU7JIWQ8NK0FN/Margaret-Inga_Urias_Another-Time-Penrose-Geometries-to-Elsewhere_IMG_0350.jpg</image:loc>
      <image:title>2025 // Another Time, Penrose Geometries to Elsewhere</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773539000311-QDEROAR3LNFMZWI07VHW/Margaret-Inga_Urias_Another-Time-Penrose-Geometries-to-Elsewhere_IMG_0352.jpg</image:loc>
      <image:title>2025 // Another Time, Penrose Geometries to Elsewhere</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773538997860-1XHQ981M9UGU142N61PK/Margaret-Inga_Urias_Another-Time-Penrose-Geometries-to-Elsewhere_IMG_0345.jpg</image:loc>
      <image:title>2025 // Another Time, Penrose Geometries to Elsewhere - Ink on Paper: Another Time, Penrose Geometries to Elsewhere</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773539566988-DYZUFE94US7NZCGY9Y8E/Margaret-Inga_Urias_Another-Time-Penrose-Geometries-to-Elsewhere_IMG_0416.jpg</image:loc>
      <image:title>2025 // Another Time, Penrose Geometries to Elsewhere</image:title>
    </image:image>
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  <url>
    <loc>http://margaretinga.com/2025-</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773540655131-TZB9OC15EF8WFDZSRAO8/Margaret-Inga_Urias_Drawing_Round_DevonianLifeOntoLand_IMG_0308.jpg</image:loc>
      <image:title>2025 // Here and Gone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773540769597-LMMSP8NH33A511NCHCAP/Margaret-Inga_UriasDrawing_Round_IMG_0438_Three_white.jpg</image:loc>
      <image:title>2025 // Here and Gone - Here and Gone, 400 Million Years ( New Breath Under Devonian Stars )</image:title>
      <image:caption>Part of a series of smaller circular drawings, this work isolates a single, transformational moment from Earth’s vast evolutionary timeline—bringing it into close focus for detailed examination. It centers on the arrival of vascular plants onto land during the Devonian period, around 400 million years ago. During this transition, plants evolved roots, leaves, and vascular systems—allowing them to grow upright, exchange gases with the air, and begin altering the surface of the planet. As they spread, they pulled carbon dioxide from the atmosphere, released oxygen, and reshaped the climate—creating the conditions that would later support land-dwelling animals. The drawing is informed by research into paleobotanical visualizations, fossil records, and reconstructions of Devonian flora. While the forms may resemble a modern bouquet, they are based on early plant species that were among the first to take root and begin transforming Earth into a habitable world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773540655131-TZB9OC15EF8WFDZSRAO8/Margaret-Inga_Urias_Drawing_Round_DevonianLifeOntoLand_IMG_0308.jpg</image:loc>
      <image:title>2025 // Here and Gone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773540682567-JTVZSYZLFQ6UFJVHZW9F/Drawing_Round_DevonianLifeOntoLand_IMG_0294.jpg</image:loc>
      <image:title>2025 // Here and Gone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773540655177-MY8YWZH47TWAWWAR7WKV/Margaret-Inga_Urias_Drawing_Round_DevonianLifeOntoLand_IMG_0292-2.jpg</image:loc>
      <image:title>2025 // Here and Gone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773541204039-9Z2WCNFTG3FQHZGUC3T6/Margaret-Inga_Urias_Round-Ink_drawings_Devonian_Silurian_web-crop.jpg</image:loc>
      <image:title>2025 // Here and Gone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773541327475-J7GT5FTX086SSRIN5JB9/Drawing_Round_DevonianLifeOntoLand_IMG_0308.jpg</image:loc>
      <image:title>2025 // Here and Gone</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://margaretinga.com/new-gallery-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773545178027-CJYWFCM0DXN70AVAF04T/Drawing_MG_5998.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773545178027-CJYWFCM0DXN70AVAF04T/Drawing_MG_5998.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773545115134-XYZ9NCCI88QWEGRG13SE/Drawing_Detail_MG_6163_crop.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773542169526-39ZTYHO0N7KH9VUQE40D/Drawing_Detail_MG_6180_hi-res_6x4.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773545088579-T7QBCF38RB6ES23WUTV9/_MG_5989_hi-res_4x6.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773545153118-739S6Y0P886TZJYXPV2P/Drawing_Detail_MG_6188_hi-res_6x4.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773545061926-CROEUV1QK304JDIS3G8S/Gallery-View_IMG_6295+copy.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773542167808-E470FI7O32L1SMYAB8BA/Drawing_Detail_MG_6167.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773542198850-5T25U27FQ3BKH9EFY2B1/Urias_Margaret-Inga_03_with+floor.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
      <image:caption>All Time, Condensed This 72-inch diptych drawing offers an expansive visualization of the entire known timeline—from imagined conditions before the Big Bang to the present. Each dot represents one million years, translating scientifically accurate cosmic and evolutionary history into a meticulously rendered field of ink. The piece begins with a dense, entangled mass of geometric and organic forms—an interpretation of the unknowable state before time began—before opening into patterns that trace the Big Bang, the formation of stars, the emergence of Earth, and the evolution of life. Human civilization appears as a faint sliver at the very edge of unfathomable time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1773545239183-6121FMCTFX0YEJKZCKN0/Drawing_Detail_MG_6186+copy.jpg</image:loc>
      <image:title>2024 // Eons, Epochs &amp; Eras / Each Grain One Million Years</image:title>
    </image:image>
  </url>
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    <loc>http://margaretinga.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-12</lastmod>
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    <loc>http://margaretinga.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-15</lastmod>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://margaretinga.com/pagecv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-01</lastmod>
  </url>
  <url>
    <loc>http://margaretinga.com/bau</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-18</lastmod>
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      <image:title>Vanishing Hour at BAU Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/9063ebce-c1a3-45fc-9501-ade69deee830/IMG_0276_square.jpg</image:loc>
      <image:title>Vanishing Hour at BAU Gallery</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/516b05abe4b0af9d19e5777d/1b38f98f-8ab5-41f6-a765-ad979bc824be/Margaret+Inga+Urias%2C+Devonian+Life+Onto+Land%2C+pen+and+ink+drawing</image:loc>
      <image:title>Vanishing Hour at BAU Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://margaretinga.com/links</loc>
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    <lastmod>2025-06-18</lastmod>
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